Welcome to Ethnomusicology Review
Ethnomusicology Review offers diverse scholarly approaches to musical practice in the form of articles, essays, and reviews. We invite you to explore a preview of Volume 24 and past issues of our peer-reviewed annual journal as well as our Sounding Board, featuring seven columns of invited essays and reviews published weekly.
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In the 2014 film The Theory of Everything, Jane Hawking sits down with her mother and a cup of tea to describe the frustrations of being both wife and caretaker to her husband, physicist Stephen...
Imagine: you’re a college student; it’s Friday night and you and your friends plan to pregame in your room before heading over to a party you were all invited to.[1] You make sure...
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A World of Asian Percussion and Dance: Immersive Workshops for Educational Institutions in Los Angeles by Helen Rees and Learsi Martinez, UCLA Department of Ethnomusicology. Figure 1. Members of...
Ethnomusicology Review is now accepting submissions for Volume 25, scheduled for publication in Spring 2026. Started as Pacific Review of Ethnomusicology (PRE) in 1984, ...
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A World of Asian Percussion and Dance: Immersive Workshops for Educational Institutions in Los Angeles by Helen Rees and Learsi Martinez, UCLA Department of Ethnomusicology. Figure 1. Members of Ube Arte performing in the Gamelan Room at UCLA for the annual meeting of...
Ethnomusicology Review is now accepting submissions for Volume 25, scheduled for publication in Spring 2026. Started as Pacific Review of Ethnomusicology (PRE) in 1984, Ethnomusicology Review is a refereed journal managed by UCLA graduate students...
