Highlights from the Ethnomusicology Archive: Music of Japan

The Music of Japan ensemble began in 1956 as a gagaku group led by then-graduate student Robert Garfias

For those unfamililar with Professor Garfias, he researched gagaku for both his master's thesis and his doctoral dissertation. The focus of his research was a study of the living contemporary practice of gagaku in the Japanese Imperial Palace and to trace, from historical documents, the patterns of change which occurred during the 900 years of its practice in Japan.  Garfias' thesis (1958) was entitled "The Basic melody of the Tōgaku pieces of the Gagaku repertoire."  Garfias' dissertation (1965) was entitled "The Tōgaku style of Japanese court music; an analysis of theory in practice."  A version of his dissertation entitled "Music of a thousand autumns: the Tōgaku style of Japanese court music" was released as a book by the University of California Press in 1975.

Professor Garfias shared this memory of the gagaku ensemble with us.  "One of the famous members of the 1958 Gagaku ensemble was Frank Gehry.  He reminded me of this years later, and told me that he had designed Disney Hall with the idea of hearing Gagaku played there. In 2004, he and I worked together to bring Gagaku to Disney Hall." 

To learn more about their collaboration, read "Disney Hall holds court," in the October 14, 2004 edition of the Los Angeles Times.

Cover of Gagaku: The Music and Dance of the Japanese Imperial Household by Robert Garfias (New York: Theatre Arts Books, 1959)

This booklet, "Music and Dance of the Japanese Imperial Household," was the program booklet for the 1959 US tour of the Japanese court musicians.  Garfias toured with them as an interpreter.  They performed three nights at UCLA, where Garfias gave the introductory lecture each night.

In May 1960, the Music of Japan ensemble performed in the “Festival of Oriental Music and the Related Arts,” presented by the UCLA Department of Music. 

Festival brochure

In the early 1960s, the gagaku group was directed by UCLA Music Librarian Gordon Stone and the nagauta group was directed by William Malm, with Joyce Malm as dancer.

These groups remained extra-curricular “study groups” until 1964-1965 when Music 45G/145G: Music of Japan was offered for the first time.  Instructors of the Music of Japan Ensemble included: Robert Garfias, Suenobu Togi (1962-1993), Mitsuru Yuge (1962-1989), Ikuko Yuge (1962-2001) and Bill Shozan Schultz (1995-2001).

Gagaku Ensemble, includes Max Harrell, Gordon Stone, Ikuko Yuge, and Mitsuru Yuge

Gagaku Ensemble, includes Donn Borcherdt, Max Harrell and Ikuko Yuge

Ikuko Yuge playing the koto in the Gagaku Ensemble

Mitsuru Yuge playing shakuhachi

Suenobu Togi performing a Bugaku dance

 

Read this article by Paul J. Revitt in the 1961 issue of College Music Symposium, the journal of The College Music Society, to get a taste of the UCLA Institute of Ethnomusicology in 1961. 

To quote Revitt, "Under the directorship of Suenobu Togi, Court Musician of the Imperial Household of Japan, even the facial expressions and the stylized gestures in holding and playing any of the instruments in this ensemble are of serious concern. Since gagaku is the most austere form of Japanese music, retaining courtly and Shinto traditions over a thousand years old, it is little wonder that even the rehearsals are special occasions bordering on the mysterious."

For those unfamiliar with Gagaku, watch "Gagaku: The Court Music of Japan." Hosted by William Malm, it also features Suenobu Togi.  (I'm sure many of you will recognize UCLA's Schoenberg Music Building and Dickson Court South.)

"Gagaku: The Court Music of Japan." Hosted by William Malm, it also features Suenobu Togi


For more about the UCLA Music of Japan Ensemble

Garfias remembers Stravinsky and Leonard Berstein and gagaku

SEM biography of Robert Garfias

DANCE: AMERICAN GROUP PERFORMS JAPANESE GAGAKU in the New York Times, 12/25/1982, to quote "Educated at the Imperial Court Music School and one in a long line of Gagaku performers, Mr. Togi has worked with the Study Group, founded in 1956, and his students there were invited to perform Gagaku in Japan last year, the first Americans to do so."

UCLA Gagaku Ensemble Blessing Lays Foundation For Art Dealer`s Condo in the Chicago Tribune, 1/28/1990

All photos © The Regents of the University of California, All Right Reserved, various dates

 

"Sounding Board" is intended as a space for scholars to publish thoughts and observations about their current work. These postings are not peer reviewed and do not reflect the opinion of Ethnomusicology Review. We support the expression of controversial opinions, and welcome civil discussion about them. We do not, however, tolerate overt discrimination based on race, sex, gender, sexual orientation, or religion, and reserve the right to remove posts that we feel might offend our readers.